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American Scholarship · Civil Rights · 1868 — 1963

W.E.B. Du Bois

Who was the first Black American to earn a doctorate from Harvard, founded the NAACP, and produced the most penetrating analysis of race in American life ever written — at a time when the country preferred not to hear it.

The problem of the twentieth century is the problem of the color line.
W.E.B. Du Bois — The Souls of Black Folk, 1903

William Edward Burghardt Du Bois was born in Great Barrington, Massachusetts, in 1868 — three years after the end of the Civil War. He grew up in a small New England town where Black residents were few and where his race was more a curiosity than an immediate source of discrimination. He was an exceptional student and, through the support of his community and a church scholarship, attended Fisk University in Nashville, then Harvard, where he earned his bachelor's degree in 1890 and his doctorate in history in 1895 — the first Black person to do so. He studied in Berlin for two years on a fellowship and returned to teach at Wilberforce University and then Atlanta University.

His early academic work was careful, rigorous, and deliberately addressed to a white intellectual audience he hoped to persuade through evidence. The Philadelphia Negro, published in 1899, was the first sociological study of an American urban Black community and remains a landmark of American social science. But Du Bois was working in an America that was retreating from Reconstruction, that was allowing the systematic re-enslavement of Black Americans through convict leasing and sharecropping, and that was codifying white supremacy into law through Jim Crow legislation upheld by the Supreme Court. The evidence accumulated; the persuasion failed to follow.

He co-founded the NAACP in 1909 and edited its journal The Crisis for twenty-four years. He spent his life in intellectual combat with Booker T. Washington over strategy — Washington advocating economic self-development within the system, Du Bois insisting on full political and civil rights immediately. He lived to see the Civil Rights Act of 1964, having emigrated to Ghana in 1961 at ninety-three and died there in 1963, the day before the March on Washington.

The Souls of Black Folk, published in 1903, introduced two concepts that have shaped every subsequent discussion of race in America: double consciousness and the veil. Double consciousness is the sense of always looking at oneself through the eyes of others, of measuring one's soul by the tape of a world that looks on in amused contempt and pity — a twoness, two souls, two thoughts, two unreconciled strivings, two warring ideals in one dark body. The Black American, Du Bois argues, is forced to see themselves both as they are and as the white world sees them, and this double vision is both a burden and, potentially, a unique form of insight.

The veil is the physical and psychological barrier that separates Black and white America — something like a two-way mirror. White Americans can see through it vaguely but rarely choose to look. Black Americans see through it with perfect clarity in both directions and are forced to navigate both worlds simultaneously.

These concepts — articulated in 1903 — remain the most precise available vocabulary for describing the experience of structural marginalization in any society where one group is forced to understand the dominant culture's perspective of itself while the dominant culture remains largely ignorant of the other. Du Bois was describing something universal through his specific and devastating analysis of American racial experience.

One ever feels his twoness — an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.
W.E.B. Du Bois — The Souls of Black Folk, 1903
1903
The Souls of Black Folk

Fourteen essays on race, identity, education, and the experience of double consciousness. One of the most important American books ever written. Begin with the first chapter.

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The Souls of Black Folk
The Souls of Black Folk
W.E.B. Du Bois

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